Drapery

Drapery;

In art history, drapery refers to any cloth or textile depicted, which is usually mostly clothing. The schematic depiction of the folds and woven patterns of loose-hanging clothing on the human form, with ancient prototypes, was reimagined as an adjunct to the female form by Greek vase-painters and sculptors of the earliest fifth century and has remained a major source of stylistic formulas in sculpture and painting, even after the Renaissance adoption of tighter-fitting clothing styles. After the Renaissance, large cloths with no very obvious purpose are often used decoratively, especially in portraits in the grand manner; these are also known as draperies.

For the Greeks, as Sir Kenneth Clark noted, clinging drapery followed the planes and contours of the bodily form,, emphasizing its twist and stretch: "floating drapery makes visible the line of movement through which it has just passed.... Drapery, by suggesting lines of force, indicates for each action a past and a possible future." Clark contrasted the formalized draperies in the frieze at Olympia with the sculptural frieze figures of the Parthenon, where "it has attained a freedom and an expressive power that have never been equalled except by Leonardo da Vinci". Undraped male figures, Clark observed, "were kept in motion by their flying cloaks."